The band's brand new single track, twenty-one minute EP,
Faustian Echoes, begins with a sample of Jan Švankmajer’s filmed take on the legend & closes with another. The sound is not as cold as the last LP, though not analog warm, with measures arranged as a hefty bag of Legos upon a board: vicious blasts, placid chord progressions, midpaced tremolo runs, & stretched single-note combinations that, if one were to view the music from the side, & unlike most of their past stabs at extended suites, neither rise to silver mountain height nor delve cavernous pits. After all, this is one mind trapped in a disorder of his own conjuration. To deviate from such a mess under the banner of grasping, or recanting, can only be illusory; the final few minutes' crescendo, the beguiling leitmotif first heard nearly a quarter of an hour ago, teases a crest into illumination, but, of course, never does.
Is it live, or is it Memorex?
Gonna suck when we run out of juice & every guitar is acoustic.
Yes, that's the actual setlist, from Aesop.
No, I didn't get it.
Yes, Agalloch proved, again, the existence of magic.
Agalloch @ The Beachland Ballroom: Limbs; Ghosts of the Midwinter Fires; Faustian Echoes; Not Unlike the Waves; Of Stone, Wind, and Pillor; Our Fortress is Burning, Pt. 1; Our Fortress is Burning, Pt. 2: Bloodbirds; As Embers Dress the Sky; Hallways of Enchanted Ebony; You We're But A Ghost In My Arms; In the Shadow of Our Pale Companion; Kneel to the Cross. Encore #1: Dead Winter Days. Encore #2: Falling Snow.